when you don’t do a warm up and go straight into lineart and your hand does the thing
Thats a sign of inflammation of the wrist called carpel tunnel . I had surgery because it got so bad I couldn’t draw anymore.
Yikes D8.
That’s why it’s so important to do stretches and draw with your whole arm (ok, arguably hard with a tablet versus a big gorgeous easel) and etc but I forgot today bc I am a moron and it was great
?????
people warm up to draw? like… how?
not an artists but climbing hand and lower arm exercises;
trying to find more and better diagrams for other stretches but yeah it’s super important if your gonna be using your arms a lot.
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I dont but I can do a short (and very badly written) one about how I paint!
1) I almost always start by blocking some values in greyscale, setting a light source and defining volumes. I dont do linework except its something more complex than a portrait.
2) Then I refine features, and edges and some general details on the face. I always use a round brush and I blend with a blender brush using the Smudge tool because im a piece of shit. (dont use smudge tool to blend tho)
3) After im happy with my greyscale values and check if they are not looking too dark, I go to Image>Adjustments> Hue/Saturation and play around with the hues (Check the Colorize box)
I choose a base color I like and its saturation and then I make a new layer of a color I like for the undertones of the skin and stuff. The layer mode is usually in Overlay but you can use whatever mode you like the best. Then i just do that 3 or 4 more times with different colours for the different regions of the face. After that, in a new normal layer I paint some general colours and paint over muddy-looking parts.
4) The final step its just refining, adjusting colours, and painting the correct skintones and details of the face. I keep in mind that the part under the eyes and jaw tend to be kind of blue-ish, the cheek area and nose tend to be more pink or reddish and the forehead is more of a yellow hue. Try to use color references!
Then I just blend all the hard edges in the places I dont want them to be and leave other hard edges that look good (dont overblend!), paint a background and refine hair.
Sorry tho Im kinda shit at explaining and this is very oversimplified ofc. At least i tried, hope it helps!
For that anon that wanted a tutorial Do you guys like this kind of step by steps?
ALL LINKS HERE: http://javicandraw.com/2016/10/how-to-draw-action-pose-tutorial-process/
So I’ve gave my best on natural poses, now it’s time for the fun stuff!!! Action poses! So this week I tried to find the simplest way to understand dynamic action poses and this is what happened. Enjoy!
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I mostly use the kyle’s mega pack, there so many possibilities with these brush ! You can download it here : https://www.kylebrush.com/ but it’s not free.
Now first, I have to say, that the plot you’re able to come up with in one day is not going to be without its flaws, but coming up with it all at once, the entire story unfolds right in front of you and makes you want to keep going with it. So, where to begin?
What is your premise and basic plot? Pick your plot. I recommend just pulling one from this list. No plots are “original” so making yours interesting and complicated will easily distract from that fact, that and interesting characters. Characters will be something for you to work on another day, because this is plotting day. You’ll want the main plot to be fairly straight forward, because a confusing main plot will doom you if you want subplots.
Decide who the characters will be. They don’t have to have names at this point. You don’t even need to know who they are other than why they have to be in the story. The more characters there are the more complicated the plot will be. If you intend to have more than one subplot, then you’ll want more characters. Multiple interconnected subplots will give the illusion that the story is very complicated and will give the reader a lot of different things to look at at all times. It also gives you the chance to develop many side characters. The plot I worked out yesterday had 13 characters, all were necessary. Decide their “roles” don’t bother with much else. This seems shallow, but this is plot. Plot is shallow.
Now, decide what drives each character. Why specifically are they in this story? You can make this up. You don’t even know these characters yet. Just so long as everyone has their own motivations, you’re in the clear.
What aren’t these characters giving away right off the bat? Give them a secret! It doesn’t have to be something that they are actively lying about or trying to hide, just find something that perhaps ties them into the plot or subplot. This is a moment to dig into subplot. This does not need to be at all connected to their drive to be present in the story. Decide who is in love with who, what did this person do in the 70’s that’s coming back to bite them today, and what continues to haunt what-his-face to this very day. This is where you start to see the characters take shape. Don’t worry much about who they are or what they look like, just focus on what they’re doing to the story.
What is going to change these characters? Now this will take some thinking. Everyone wants at least a few of the characters to come out changed by the end of the story, so think, how will they be different as a result of the plot/subplot? It might not be plot that changes them, but if you have a lot of characters, a few changes that are worked into the bones of the plot might help you.
Now list out the major events of the novel with subplot in chronological order. This will be your timeline. Especially list the historical things that you want to exist in backstory. List everything you can think of. Think about where the story is going. At this point, you likely haven’t focused too much on the main plot, yeah, it’s there, but now really focus on the rising actions, how this main plot builds its conflict, then the climactic moment. Make sure you get all of that in there. This might take a few hours.
Decide where to start writing. This part will take a LOT of thinking. It’s hard! But now that you’ve got the timeline, pick an interesting point to begin at. Something with action. Something relevant. Preferably not at the beginning of your timeline - you want to have huge reveals later on where these important things that happened prior are exposed. This is the point where you think about what information should come out when. This will be a revision of your last list, except instead of being chronological, it exists to build tension.
Once you’ve gotten the second list done, you’ve got a plot. Does it need work? Probably. But with that said, at this point you probably have no idea who half your characters are. Save that for tomorrow, that too will be a lot of work.
After you’ve plotted the loose structure of your novel from this, see my next post to work on character!
Every artist who sees this post should do the following:
- Watch the video.
- Follow the instructions
- Reblog
I can’t stress you enough about how important these exercises are for your drawing hand. You don’t wanna get CTS of Tendonitis and similar stuff that will prevent you from making art or even hold a pencil.
Okay, this guy is my HERO. I just did these exercises as I watched the video, and already my arms and hands feel better. I have a degenerative tendon disease that prevents my muscles, tendons and ligaments from retaining their elasticity, and so anything that maintains the health of my bendy parts is important.
I URGE YOU. Even if you don’t draw, do these several times a day. Even just sitting at a computer can do serious damage. My dad, who was a rugby player, a carpenter, and now a handyman, suffered from severe carpal tunnel syndrome, simply as a result of sitting at the computer at the end of the day to play a little solitaire. Don’t let it happen to you!
((Guys, I will reblog this like, 5 times a day just so you all will see this. This is REALLY helpful, and it’s quick and easy.))
Wow, these are REALLY helpful. And yes, this is not just good but IMPORTANT for more than artists — if you type a lot, play a lot of video games, do anything that requires lots of repetitive movements of your hands, wrists, and arms (gardening, sewing, factory work), these can help. Even if you don’t yet get pain these are a great preventative measure, because the damage builds up over time. Youth is no protection.
And like he says, you should feel a stretch, but don’t push it too far!
Signal boosting. Guys, I just did this and holy cow do I feel incredibly light and limber in my arms. Again, even if you don’t have any sort of disease, do this as a preventative measure.
